Sammlung

Caroline Garcia's Dancing on Axes and Spears

Montclair State University Galleries

175 Anhänger

Caroline Garcia's first solo museum exhibition invites visitors to stretch their understandings of Filipino cultural traditions, community resilience, and personal identity. Curated by Jesse Bandler Firestone.

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Montclair State University Galleries

Veranstalter von Caroline Garcia's Dancing on Axes and Spears

The Montclair State University Galleries brings together ideas, perspectives, and dialogues to foster curiosity and shared understandings through art. The University Galleries presents diverse and inclusive exhibitions and programs creating connections that unite the campus experience with the local and global community.montclair.edu/galleries

Weitere Sammlungen dieses Veranstalters

Bild für die Sammlung ""Nothing Under Heaven" by Joseph Liatela"

"Nothing Under Heaven" by Joseph Liatela

Keine anstehenden Events

"Nothing Under Heaven" is the artist’s first solo museum exhibition that brings together new commissions and recent works that explore the need for connection, pleasure, and agency within oppressive systems. Curated by Jesse Bandler Firestone.

Bild für die Sammlung "Ajamu Kojo's "Black Wall Street""

Ajamu Kojo's "Black Wall Street"

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Black Wall Street: A Case for Reparations is Kojo’s ongoing series of large-scale paintings that capture the imagined lives of Black professionals in the Greenwood District before the 1921 Tulsa Race Massacre. Curated by Megan C. Austin, Director

Bild für die Sammlung "Case Studies"

Case Studies

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Case Studies 3: Joseph Parra – "the edge of flesh and blood" explores the larger consequences of searching for validation, inspiration, and intimacy through digital images by asking “How does desire change when life is mediated through screens?”

Bild für die Sammlung "TECH/KNOW/FUTURE/ From Slang to Structure"

TECH/KNOW/FUTURE/ From Slang to Structure

Keine anstehenden Events

Tech/Know/Future/ From Slang to Structure is a critical response to technological systems within art addressing the issues of identity, history and abstraction, placing the viewer at the intersection of the past, present and future. Curated by Tom Leeser.

Bild für die Sammlung "The Backend"

The Backend

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The Backend is a group exhibition featuring 13 contemporary artists probing the nature of protocols and agreements to prompt questions about ownership, production, notions of truth, and agency

Weitere Sammlungen dieses Veranstalters

Bild für die Sammlung ""Nothing Under Heaven" by Joseph Liatela"

"Nothing Under Heaven" by Joseph Liatela

Keine anstehenden Events

"Nothing Under Heaven" is the artist’s first solo museum exhibition that brings together new commissions and recent works that explore the need for connection, pleasure, and agency within oppressive systems. Curated by Jesse Bandler Firestone.

Bild für die Sammlung "Ajamu Kojo's "Black Wall Street""

Ajamu Kojo's "Black Wall Street"

Keine anstehenden Events

Black Wall Street: A Case for Reparations is Kojo’s ongoing series of large-scale paintings that capture the imagined lives of Black professionals in the Greenwood District before the 1921 Tulsa Race Massacre. Curated by Megan C. Austin, Director

Bild für die Sammlung "Case Studies"

Case Studies

Keine anstehenden Events

Case Studies 3: Joseph Parra – "the edge of flesh and blood" explores the larger consequences of searching for validation, inspiration, and intimacy through digital images by asking “How does desire change when life is mediated through screens?”

Bild für die Sammlung "TECH/KNOW/FUTURE/ From Slang to Structure"

TECH/KNOW/FUTURE/ From Slang to Structure

Keine anstehenden Events

Tech/Know/Future/ From Slang to Structure is a critical response to technological systems within art addressing the issues of identity, history and abstraction, placing the viewer at the intersection of the past, present and future. Curated by Tom Leeser.

Bild für die Sammlung "The Backend"

The Backend

Keine anstehenden Events

The Backend is a group exhibition featuring 13 contemporary artists probing the nature of protocols and agreements to prompt questions about ownership, production, notions of truth, and agency

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New York Irish Center • Queens, NY

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